This book explores the Central Asian element in the formation of the civilization of Mughal India, focusing on the 16th and 17th centuries. The culture of the Mughal Empire is seen to be a composite of indigenous and foreign elements, many of which originated, like the Mughal rulers themselves, in Central Asia.

This book explores the Central Asian element in the formation of the civilization of Mughal India, focusing on the 16th and 17th centuries. The culture of the Mughal Empire is seen to be a composite of indigenous and foreign elements, many of which originated, like the Mughal rulers themselves, in Central Asia.

在线阅读本书 Book Description Remarkable, bewildering, totally irresistible - India offers a million different experiences, all at once, all the time. If you seek spiritual enlightenment, the thrill of scaling the mighty Himalaya, or the buzz of a modern hypermetropolis - or if you just want to lie on a tropical beach and count cows - discover the sensory overload that is India wi...(展开全部)

For more than thirty years, Harry Gruyaert has been recording the subtle chromatic vibrations of Eastern and Western light. His photographs attest to his singular vision: his interest in story, public space and unexpected scenes. This book brings together 125 of Gruyaert's photographs of India, many published here for the first time. From Gujarat to Kerala, Gruyaert captured th...(展开全部)

在线阅读本书 Book Description Remarkable, bewildering, totally irresistible - India offers a million different experiences, all at once, all the time. If you seek spiritual enlightenment, the thrill of scaling the mighty Himalaya, or the buzz of a modern hypermetropolis - or if you just want to lie on a tropical beach and count cows - discover the sensory overload that is India wi...(展开全部)

For more than thirty years, Harry Gruyaert has been recording the subtle chromatic vibrations of Eastern and Western light. His photographs attest to his singular vision: his interest in story, public space and unexpected scenes. This book brings together 125 of Gruyaert's photographs of India, many published here for the first time. From Gujarat to Kerala, Gruyaert captured th...(展开全部)

作者簡介 吳丹敏Thant Myint-U 1966年生於紐約的緬甸家庭，祖父為聯合國第一任亞洲出身的秘書長吳丹。畢業於哈佛及劍橋大學，目前是作家與文化保存工作者。三次出任聯合國維和任務，並擔任政治事務部門的政策規劃主管。現任仰光文化遺產信託主席，2012至2016年間出任緬甸國家經濟與社會顧問委員會成員，並擔任緬甸和平中心特別顧問。2013年吳丹敏獲美國外交政策雜誌選為「一百大全球領導思想家」，2015年獲頒日本的「福岡亞洲文化獎」。 著有三本作品：《現代緬甸的成型》（The Making of Modern Burma）、《失落足跡之河：個人的緬甸史》（The River of Lost Footsteps: A Personal History of Burma）及本書。本書更入選2012年亞洲協會伯納德．舒瓦茲獎決選。 譯者簡介 張毓如 清華...(展开全部)

作者簡介 吳丹敏Thant Myint-U 1966年生於紐約的緬甸家庭，祖父為聯合國第一任亞洲出身的秘書長吳丹。畢業於哈佛及劍橋大學，目前是作家與文化保存工作者。三次出任聯合國維和任務，並擔任政治事務部門的政策規劃主管。現任仰光文化遺產信託主席，2012至2016年間出任緬甸國家經濟與社會顧問委員會成員，並擔任緬甸和平中心特別顧問。2013年吳丹敏獲美國外交政策雜誌選為「一百大全球領導思想家」，2015年獲頒日本的「福岡亞洲文化獎」。 著有三本作品：《現代緬甸的成型》（The Making of Modern Burma）、《失落足跡之河：個人的緬甸史》（The River of Lost Footsteps: A Personal History of Burma）及本書。本書更入選2012年亞洲協會伯納德．舒瓦茲獎決選。 譯者簡介 張毓如 清華...(展开全部)

For Alain Badiou, films think, and it is the task of the philosopher to transcribe that thinking. What is the subject to which the film gives expressive form? This is the question that lies at the heart of Badiou's account of cinema. He contends that cinema is an art form that bears witness to the Other and renders human presence visible, thus testifying to the universal value ...(展开全部)